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Source: K-On! Wiki
It was The Secret of NIMH that made me realize men were boring.
I mean, men can have their uses, and a few of us are marginally clever, but it wasn’t until The Secret of NIMH that I began to feebly catch a glimmer of the quantum differences between life as a man and life as a woman, even when dealing with the same things.  And from that point, women began to dominate my writing, and my reading too, when I have the option.
There are exceptions; NeverNever was theoretically about Arthur and Col. Beowulf (although the strip didn’t really come to life until Mopsy showed up, and I don’t think that’s an accident). Greg has sliiiiightly more focus in the Brigid and Greg fictionlets. Michael Macbeth had a long run as a character I kept trying to write about. But compare them to, say, Tiffany Tiger or Verity Anjo, and it’s probably easy to see where my creative interests lie. And as a general rule, in any given group, I gravitate towards and generally feel more kinship with the women.
I have been told that I write women characters well, for which I’m grateful. As much as this is true, beyond the obvious “write about human beings, regardless of their gender,” I suspect comes mostly from simply shutting up and listening to what women say, not just in public discourse, but also (and more importantly) to each other. This latter can be hard to pull off in daily life– women’s behavior changes when there’s a man around just as much as men’s behavior changes when a woman is– so I do it mostly by reading things written by women for a female audience. Doing this took me a long time to get used to, as I had to overcome a lot of social programming designed specifically to prevent it. But it has also taught me many, many things.
At a certain point, however, there are barriers I simply can’t cross. I know what muscle cramps feel like, and I know how changing brain chemistry can send my moods all over the map but I’ll never have a period or PMS. I can use my imagination to picture being shorter, lighter, and more flexible, but at the end of the day I will always be 6’2″ and one of the largest people I know. I know what it’s like to have people randomly dislike you or discount your opinion for no good reason, but I don’t get told I’m “dominating” a conversation when I’ve said one thing for every four things said by someone else.
I think about this sometimes when I’m working on Suburban Jungle. I know I have women readers, but if I had to guess I would assume that my readership skews mostly male. Certainly, there is a tendency among some of my readers to want me to, as the saying goes, “cater to the male gaze.” This isn’t just things like wanting pinup poses or playing up the sexualization of any given situation (although there is certainly that), it’s also pressure to reinforce stereotypical gender roles such as wanting the men come to Charity’s rescue or attacking Langley for being “too bitchy.” It might not be male gaze so much as “want everything to fit into comfortable traditional pigeonholes” gaze, I suppose… but whatever it is, I can tell it’s out there.
I also think about a comment I read online somewhere about K-On! which strikes me as relevant. The comment, left on a review somewhere I have long since lost the link to, was that it was nice to have a show about girls that actually felt like it was about girls, and not just some guy writing his vague idea of the sort of things girls do and repeating all the usual things that sort of scenario usually leads to.
There’s a reason for that, of course. Despite being a show about high school girls, K-On! was originally created by a man for a primarily male audience. What made the K-On! anime a commercial success in Japan, and arguably one of the reasons why it is so much better than most of the other shows of its type, was that it was made by Kyoto Animation, a studio comprised largely of women, who added all that other stuff and gave the show tremendous crossover appeal. In short, K-On! was popular with women too, not just with the stereotypical moe-fan otaku. And when women get behind a thing, they go big. 😉
And really, if I could arrange it, that’s the kind of reaction I’d want people to have to Suburban Jungle. Someone once told me that despite the obvious fantasy elements “When Wally Met Mikey” from the original SJ was the most realistic depiction of a fledgeling gay relationship he’d seen in a comic– which made me very proud. I don’t know if I can hit that level again with Charity and her friends, but it is the target I’m shooting for. And among other things, that means pushing past comfortable traditional pigeonholes, and being as true to the “reality” of the characters as I can.
 See also Scalzi’s discussions of “straight, white male is EZ mode.” Not that it’s all sunshine and roses– being male in our society is a lonesome and painful business, as Norah Vincent so powerfully demonstrated. But on the grand scale of life, not being able to talk about your feelings or wear attractive clothes and constantly having to fight the effects of testosterone poisoning, don’t quite stack up to being in constant (if usually low-level) fear for your life and having to work twice as hard for 2/3 the pay and recognition. And also, any woman over the age of 12 is more badass than most men ever have to be. Ask anyone who draws blood for a living. They’ll tell you.
A fun little piece I submitted to the AnthroCon 2017 conbook to fit the theme “Take Me Out to the Ballgame.” There’s a lot more going on in the “League of Their Own” movie poster than first meets the eye. O.o
Skip a week for the holidays, and suddenly I have a billion things to talk about! Let’s jump right in!
So you remember I wasn’t satisfied with the “Three Lions and an Otter” motif because it was too close to M.C.A. Hogarth’s “Three Jaguars?” Sure ya do, it’s like the next post down from here. Anyway! I happened to be looking at my LinkedIn page and noticed a little thing I had dropped into my bio: “I’m all about bringin’ the awesome.”
Well… yeah. 😀
So that’s gonna be my thing. Expect a lot more bringin’ the awesome in 2017! The three lions and an otter are still there– they’re how I organize my workflow and my thoughts– but they’ll probably fade into the background a bit.
Commission Price Reorganization
My last price list update was in the summer and was pretty vague and incomplete. Pricing your own art is always tough– it’s kinda like a magic trick, and knowing how it’s done makes you forget the work and practice that actually went into it. I was told by a few artists I respect that I was undercharging, and I think it may have actually been hurting my sales, if the table at Midwest Furfest is an indicator.
So this is a heads-up, my prices will be going up a bit later this month, but they’ll also be more clearly defined, so it’ll be easier to look at what I offer, compare it to your budget, and decide what’s right for you.
“Learn To Use Copics” Sale!
Also! Part of my holiday splurge was to pick up something I’ve wanted for a while now: I bought myself twenty shiny new Copic markers, and I’m itching to learn how to use them! So in a week or two I’m going to open up slots for full-color real-media commissions at a crazy discount price, with the proviso that your piece will be a guinea pig for Copic practice, so the colors might be a little all-over-the-map. XD
Streaming Is a Thing!
So I have settled on Tigerdile as my streaming service of choice, and they’ve been pretty great so far. They’ve been responsive and friendly, and the site has a lot of nice features, with more coming in the new year. I’ll be streaming pretty regularly on Monday, Tuesday, and/or Wednesday nights, starting around 7:30 p.m. EST, working on commissions, the next comic page, or whatever else happens to be going on at any given time.
Phew! I think that’s everything for now? If not, I’ll let you know. 😉 Thanks for reading, and stay awesome!
From the “Ideas I Wish I’d Had a Month Before AnthroCon Instead of Two Days” Department…
Yeah, so, Overwatch has been eating my brain. ^.^’ What can I say, it’s an awesome game! So I want an excuse to do art related to it. 😉 Badges! Who doesn’t love badges?
But yeah, the flyer pretty much says it all. $30 gets a glossy photo-quality printed badge in holder mailed anywhere in the U.S., or $25 gets a high-res file so you can print out your own. And if you’re one of my Patreon supporters you get $10 off!
To claim one, you can leave a comment here, or you can e-mail me via thegneech at gmail dot com. Gamsa!
Just a fun sketch I did earlier this week for warm-up. 🙂 Posting it here for those who don’t follow on Twitter or Patreon.
One of Charity’s short-lived jobs before she took on the Rough House, maybe?
For Easter (and just for the fun of it) I’m opening up commissions for your fursona/OC depicted as a pooka or jackelope, NeverNever style! These will be pencil sketches, colored with blended pencil, emphasizing the charm, shyness, and natural character of the pookas– or the lack of all same in the case of the jackalopes. 😉
I’ll be starting with five slots, and if those fill up super-fast I’ll open up another five.
The commissions are $25, plus an additional $10 for each character after the first. If you’d like the original as well as a high-res scan, I’ll mail it to you ($5 for US delivery or $10 international), payable via Square, Dwolla, or check. Slots are first-come first-serve, and you can respond via a comment here or e-mail at email@example.com.
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