Archive for the ‘Gneechy Talk’ Category »
Heading to bed with another AnthroCon sinking slowly in the west. Normally I drive back on Sunday, but this time, partially at Sirfox’s request, we’re staying until Monday. That’s probably a good thing, actually, as I could really use a sleep-in before driving 5 hours to get us back to VA.
All in all, it’s been a good one. No super-high highs, but plenty of nice little moments. As I mentioned on Twitter, Uncle Kage introduced me to Lee Tocker (the voice actor of Snips and Steven Magnet on MLPFIM) by describing himself as a fan of mine, which I was quite flattered by. I also got to see some of my regular crew, such as Buck Turner, InvisibleWolf and Derrick, Teiran and Fuzzwolf, LionKingCMSL, Mooncat, and several others. I got to chat some with RebelSquirrel, which I enjoyed; met Xylo, the new director of the InterventionCon dealer room, who was one of my neighbors in the dealer room; and Path, the chair of Furry Fiesta, who has declared that I am stalking him by virtue of him being everywhere I was about to go anyway (including my own hotel room).
Sales were nice and solid, too. Not quite up to my peak perhaps, but definitely better than last year. I have nearly sold out of several older items and need to work on creating new product before InterventionCon, but having new books on the table was a great feeling. I am also getting better about working all of my table materials into a manageable set that can be carried to and from the venue in a single rolling suitcase, as opposed to the enormous stacks of boxes of yesteryear. Some of that was Kerry’s tendency towards sprawlingness, but a lot of it was just me being disorganized and muddle-headed.
Weight-wise, I was a little over my daily point allotment each day of the con, but not by very much, and I easily made it back up in activity points from walking all over the place. I did have to go to one of the leatherworking vendors and ask them to add a couple of new holes to my belt in order to tighten it more, which I’m hoping is an indicator of success on that front.
Tomorrow (er, later today?) when I get home, I’m going to start posting pages of Rough Housing to my FurAffinity account, on recommendation of the FurPlanet guys. I’ve also got to crank out pages for next week and get some commish work done, so I’m going to be a busy, busy Gneech when I get back! But a happy one. It’s very nice to finally be doing my proper work as my real job. Now all I have to do is figure out how to get my boss to increase my salary.
So g’nite AnthroCon, we love you. And good night to the rest of the world, and have an awesome tomorrow.
So the general opinion is that the “necro” in “necromancer” refers to death– traditionally necromancy is the ability to speak with dead spirits, for the purpose of lifting curses, busting ghosts, whatever. This has led to the image in popular fantasy of necromancers being gothy types who hang around in cemetaries raising zombies and the like. Which works as a trope, but… it could go another way.
Another meaning of the original root “necro” is “dark.” Not dark as in “evil,” dark as in “obscure or hard to see.” i.e., hidden, secret. Necromancy by that meaning is therefore not “the deathly arts,” but rather “the secret arts.” Which could be anything! The secret art of turning lead into gold? Sure. The secret art of getting that fifth dentist to recommend sugar-free gum? Anything!
This of course leads me to ruminate on the word “secret.” What are secrets, exactly? They are things you carry with you. Your secretary carries your correspondence (and your secrets). A secretion is something that has been deposited on you. The Secret Service is not “secret” in the sense that people don’t know they’re there– far from it– they report to the Secretary of the Treasury, and they “carry” the President safely.
(Historical note: The Secret Service was actually founded to combat forgery after the Civil War; it wasn’t until the assassination of Pres. McKinley that they were given the task of protecting the President.)
This leads me to a vision of a fantasy setting in which an important personage (Queen, Emperor, Prime Minister, whatever tickles your fancy) is protected and served by a small cadre of elite necromancers (in the sense that they study secret arts), sort of James Bond meets Harry Dresden if you like. I can see this working particularly well as a steam-fantasy setting a la Gail Carriger.
However, I don’t have the time to write this at the moment, so I’m setting the idea free by writing it up here and putting it into your head. I might come back to it later, we’ll see.
I’m about to start work on the next issue of Suburban Jungle (Rough Housing) and, now that an issue’s done and had some time to cool, I’d like to know what folks think! Writing, art style, lettering choices, panel borders, whatever, if you have a thought I’d like to know what it is. “Between issues” is when I plan to make most of my tweaks to things, so this is the time!
You can start at the beginning here, if you’d like. Thanks!
Writing a pithy post that adequately sums up my feelings about all of this is essentially impossible because a certain subsection of nerds seem determined to never, ever stop being terrible people, and put all of their energy into being terrible people, and make sure that they win simply by exhausting anybody who’s even halfway decent.
…but I do have one response, and that is to take a page from Kurt Cobain:
“If any of you in any way hate homosexuals, people of a different color, or women, please do this one favor for us… Don’t come to our shows and don’t buy our records. –Kurt Cobain”
I write a blog, I does a Twitter, I make comics. And this one goes out to the dickheads out there who seem determined to make life as difficult as possible for fangirls and geek girls and girls generally: don’t read my stuff. Just pass it by. I will make do without your eyeballs, attention, and (when there is opportunity for you to spend) monies. You are not needed; you are the fleshy little wart on the ass of Life, purely extraneous and mostly unpleasant, and I don’t want your business.
And for everybody else who makes comics – or other nerd stuff – you should be telling these people the exact same thing. You’ve probably been implying it anyway, but it’s time we all vocalized it.
This is a good policy, and I hereby adopt it, and attempt to spread the word.
So AwesomeCon was this past weekend, and it was very cool; pretty much the same experience as the San Diego Comic-Con, except not quite as packed beyond capacity and making you hate life because you couldn’t move for all the people in the way. If I could be sure it would never grow any bigger I’d happily make it a regular thing, but as this was only its second year, I suspect my hopes are going to be dashed in that regard. If I had one real beef about the con, it’s that it could use more SF/fantasy, gaming, and especially more ART, instead of just being an unrelenting drum of “comics, comics, comics.” (A con the size of AwesomeCon really should have a good art show, but it’s only their second year, hopefully that will come with time.) What makes Dragon*Con still worth going to, as horribly huge and unwieldy as it has become, is the broad swath of fandom. Where were the Tim Powerses, Seanan McGuires, and Neil Gaimans?
Seeing the huge response to AwesomeCon, OTOH, just reinforces my opinion that InterventionCon needs to kick it up a notch or it will eventually perish. I realize and fully support that they don’t want to become just another giant dealer hall in a convention center with no personality, and that their intended focus is on creators rather than attendees. I dig that and I’m all for it. But without attendees, really, how are you going to get creators to come? Going to a con requires a significant investment of time and possibly also a significant investment of money– for someone operating on tight margins (as most indie fandom creators are), there has to be a certain amount of confidence you’ll recoup that investment or they’ll just give it a miss. It doesn’t have to be sales, it could be networking or learning new skills or what-have-you, but again, how can you network if nobody is there? (Which could also be handily summarized by asking where are the Tim Powerses, Seanan McGuires, and Neil Gaimans…)
This year, I went to AwesomeCon purely as an attendee– I didn’t even bring business cards– mostly because I am sorta rebuilding my whole operation from scratch and wanted to learn the lay of the land, but also given all the upheaval my life has gone through in the past year I just wasn’t up to doing anything more. But the chances are quite good that I will try to get an artist’s table next year, especially if I can find someone to go in with me (running a table solo is a lonesome and exhausting activity). It would certainly be handy to have a largish local con to go!
I have added a new “Subscription” level reward to my Patreon campaign. At the $3/month level, you will receive new comic pages directly by e-mail as soon as they are drawn, usually a week to a month before they appear on the website.
Of course, I’ll need a valid e-mail address to send it to. ^.^’ But this will be kept private and never shared with anyone.
Thanks, supporters! I really appreciate it!