Archive for the ‘Gneechy Talk’ Category »
One of my goals with the new year has been to beef up my Patreon campaign a bit, as it was originally assembled in a fairly slapdash “This is good for a start and we’ll see how it goes!” way. To that end, I started poking around Patreon to find campaigns that were working well, ones that weren’t, and others in “my space” generally to look for best practices.
I was surprised (but pleased) to see that my campaign was actually pretty healthy compared to most– there are a depressing number of “no supporters, no pledges” campaigns out there. That said, there’s still plenty of room for improvement! Four-digit campaigns, while rare, are certainly out there, and many of them are comparable to mine in output and bennies, which gives me hope that I can get there myself!
So over the course of this week I have been working on updating, tweaking, and “fluffing” my Patreon campaign, including adding a new banner that showcases my art and trying to diversify both the goals and bennies, while being careful not to over-promise on things I couldn’t deliver.
I’m quite pleased with the results! But I’m also curious and eager for feedback and suggestions. Whattya think? I’d love to hear from you.
The cover for issue four of Rough Housing went up today, and I’m quite pleased with it, but I also noticed something about it on reflection.
For a comic ostensibly set on the beach as an excuse for me to draw beefcake/cheesecake, there has been precious little cake in it. With the possible exception of Langley in her “Hello Kitty” underwear, this is probably the most fanservicey image from the comic so far.
I also noticed for the first time just how bashful Charity is. I mean yeah, in the original issue 1 cover (which looks so sparse now compared to the final version with Langley, Roxie, and Parker in it) she’s wearing a shirt over her swimsuit, but that was intended as something of a tease. In the issue four cover, she is explicitly hiding behind Langley so as to not be seen in her bikini.
Honestly… I was not expecting this of Charity. I mean, she was never intended to be an exhibitionist, but my original conception of her was that she was very much a chip off the ol’ block of her mother Comfort, who was anything but shy! Charity was supposed to be bouncy, exuberant, and fun-loving… but as the story evolved she has ended up serious-minded, high-strung, suffering from a deep-seated need to live up to… something, and even a bit prudish.
This is the kind of thing I mean when I say that strong characters often go off in their own directions. Being in the role of “boss who has to whip the hotel into shape” almost requires Charity to be a more serious-minded character, because if she was just another party girl she’d get lost in the mix. Certainly I can’t see Comfort coming in and kicking Langley out of the manager’s bedroom; but Comfort also wouldn’t take on a managerial role, on the grounds of “What fun is that?”
As for my unexpected recent reluctance to draw fanservice… I have no idea what that’s about. I used to love to draw beefcake and cheesecake both, and I was always rather proud of drawing what I considered to be “empowering fanservice,” which showed happy and confident subjects who were in the picture because they wanted to show off. Now I’m just not comfortable with it, and I can’t figure out why. Maybe it’s that with the proliferation of porn to the near-exclusion of other things, the idea of fanservicey art just sorta seems like a quaint relic of time gone by? Who’s gonna care about characters posing in swimsuits when there’s “YCH orgy” pictures all over the place? Or maybe it’s my own attitudes towards sex and sexuality being out of synch with the world around me that’s making me want to just avoid the topic all together?
I dunno. Obviously I have my own issues to deal with, just as much as Charity has hers.
…That didn’t sound right. ¬.¬
Anyway! I’ll be at Midwest Furfest starting tomorrow! My plan is to get into the Artist Alley whenever I can, where I’ll be doing badges and sketches and have a smattering of books and buttons (mainly what I can carry with me to and from every day, up to what they’ll allow).
Come see me! Get some art! We’ll chat, we’ll schmooze, I’ll have my people call your people. It’s all good.
-The Gneech 😎
(Modified from a post on my Patreon page.)
As you’ve probably noticed, there hasn’t been much art activity here for a bit, so I think you’re due for an update.
There reason there hasn’t been much to see here in the way of comics and such is that I’ve spent the past few months writing a novel instead. Getting Rough Housing up and running has been a much more arduous process than I thought it would be, and while it has had some success, it doesn’t seem to be making the kind of impact I’d hoped it would. So, while I’m not ready to just can the project, I am looking for other things I can do that will get more bang for the buck, so to speak, and writing is one of those. The fact that I wrote a 70,000 word first draft in a month and a half probably gives you an idea of how much more facile I am with writing than with comics, even though I love them both.
In the meantime, there has been another wrinkle, which is that the company where Mrs. Gneech worked for the past 20 years is rapidly shutting down, taking her job with it. We have some savings to live on, but they will rapidly get burned up, so starting some time next week I will be returning to the life of a barista in order to bring in reliable income, at least until Mrs. Gneech finds herself something new. That will probably put the kibosh on putting out comics reliably any time soon in any case, as it takes me so long to draw them.
What does that mean for my Patreon? Honestly, I’m not entirely sure. One thing I will definitely start doing is posting story previews, character sketches, sample chapters and other such things there. That said, I know it may not be what you signed on for, so while I’d hate to see anyone go, I won’t take it personally if folks reduce or discontinue their patronage.
But for those who are staying (Thank you! ^.^) I’m very open to suggestions as to what you’d like to see! I’m going to retool the whole Goals and Pledge Rewards structure, and I was thinking of shifting from the “per month” model to a “per creation” model as well, but I’d love to hear what you have to say on the topic.
So let me know! And seriously, thank you everyone for the support you’ve provided over the years and into the future. It means a lot to me!
-John “The Gneech” Robey
Because I have a terrible sense of timing, I spent August writing a novel. (Alas, no NaNoWriMo bragging rights for me this year!) After being consumed by the muse for a month and a week, I wrote the last sentence of the first draft yesterday, and did the mental equivalent of flopping over in exhaustion.
In a day or two, I shall attack the next project on the stack, which will be either to finish off a few more commissions or to draw Dungeons & Denizens, not sure which yet. But before I do that, I’m going to read a mother-hugging book.
Mere words cannot describe how important books were in my life once upon a time. My mother was a librarian until I was five or six, and never lost the temperament even when she left the job. As such our family hoarded books the way some families hoard cats, Beanie Babies, or collectible holiday glasses from fast food restaurants. Since the advent of the internet, however, books and I have somewhat drifted apart. As in, I still have more books than average and going to the bookstore is still my favorite recreational activity… but I don’t always have one in my pocket and pull it out whenever there’s a lull in the conversation, and I don’t have a room full of bookshelves stacked three deep any more.
I regret this state of things; going from someone who read two books a month to someone who reads two books a year has left me feeling out of sorts and given me the gnawing fear that my brain may be atrophying from disuse. But the reason I don’t read any more is because I tend to work myself to exhaustion, then not feel like I have the “time” to read. Generally once I start a book, I have a hard time putting it down until it’s finished, and if I try to read in small chunks over time, I lose the thread and get bored. In short, if I can’t read a book all at once, I have a hard time reading it at all.
But reading, and reading a lot, is fundamental to being a good novelist. You have to read in your genre of choice, so you know what’s going on and what’s “been done,” and you have to read outside your genre so you don’t become myopic or stale, and you have to read nonfiction to learn what the world is actually like, not just to add to the verisimilitude of your stories, but also to know how to actually be a proper human being.
Recognizing this, I have decided to treat reading as a project. When I finish one project (such as the manuscript I just wrapped up), I will read a book, and then move on to the next project. Besides getting me back into reading, hopefully this will also act as a mental palate-cleanser. When I’ve been deeply involved in a big project, even once it’s “finished” I tend to spend the next few days or weeks wanting to tinker with it, like somebody coming back and saying “And another thing!” after the argument is long over. Sometimes these thoughts are improvements, but usually they’re just puttering, and occasionally they’re making Greedo shoot first, so on the whole I’m better off ignoring them. By picking up a book, wildly different from the last thing I worked on, I hope to make my brain shift gears more quickly.
So! Having written a potboiler adventure novel about steampunk air pirates, today I delve into Assholes: A Theory by Aaron James, a nonfiction social studies book. Once I finish my next project, which is likely to be furry art or comics either way, I’ll probably re-read Soulless by Gail Carriger, or one of the various short story anthologies that have been building up by my bedside for the past few years.
By making it an assignment for myself, I can make reading a thing I don’t feel like a slacker for doing during the day, and doing it in binges is totally doing it right. Win/win!
“Hymn to Breaking Strain” by Julia Ecklar and Leslie Fish
The careful textbooks measure: “Let all who build beware!
The load, the shock, the pressure material can bear.”
So when the buckled girder lets down the grinding span
The blame of loss or murder, is laid upon the man
Not on the steel– the man!
But in our daily dealing with stone and steel, we find
the gods have no such feeling of justice toward mankind!
To no such gauge they make us, for no laid course prepare.
In time they overtake us with loads we cannot bear
Too merciless to bear
The prudent textbooks give it in tables at the end:
The stress that shears a rivet, or makes a tie-bar bend
What traffic wrecks macadam, what concrete should endure
But we poor sons of Adam, have no such literature
To warn us or make sure
We hold all Earth to plunder, all time and space as well
Too wonder-stale to wonder at each new miracle
’til in the mid-illusion of Godhood ‘neath our hand
Falls multiple confusion on all we did or planned
The mighty works we planned
We only in creation! How much luckier the bridge and rail!
Abide the twin damnation: to fail, and know we’ve failed!
Yet we– by which sole token we know we once were gods–
Take shame in being broken, however great the odds!
The burden or the odds
Oh, Veiled and Secret Power Whose Paths We Seek in Vain,
Be with us in our hour of overthrow and pain!
That we– by which sure token we know Thy ways are true–
In spite of being broken
–Or because of being broken?–
Rise up and build anew!
Stand up and build anew!
EDIT: It has since been pointed out to me that Rudyard Kipling wrote the poem that comprise the lyrics of this! Which, as someone with a degree in English and who actually, y’know, studied some Kipling, makes me feel like a bit of a nimrod. ^.^’ What I said about it being the most steampunk song ever written still applies, tho!