What Do Manticores Do When There Are No Heroes Around?
Since I’m running a 5E adaptation of The Keep On the Borderlands, I was tempted to go EVEN MOAR OLDSCHOOL by following it up with a 5E adaptation of Dungeon of the Bear, the one really complete module (as opposed to solo adventure) released for Tunnels and Trolls. I’ve had this on my shelf for over 30 years, complete with my hand-scribbled notes in the margins from running Lee and Jamie through it in T&T a babillion years ago.
Like everything for Tunnels & Trolls, DotB not only embraces the abstract strangeness of dungeon delving, but revels in it. The dungeon is like an evil funhouse, where each room is its own strange thing that has little to do with the next room over– goblins here, vampires there, and a random trap that locks you in, floods the room, and fills it with piranha in the next.
But then, and this where it gets weird, DotB layers a backstory on top of that (written by Michael Stackpole back before he was the Michael Stackpole) and tries to pretend it makes sense. In days of yore, the backstory goes, in order to keep monsters from coming up out of the infamous Dungeon of the Bear and rampaging the countryside, a lord and his lady (who was a prodigious wizard) sealed it shut and built a castle over the entrance. But then, when they noticed that no more adventurers came down into the dungeon to get eaten, the monsters swarmed up and wiped out almost all the castle’s inhabitants. The only survivor was the wizard, who blasted them to bits and forced a retreat, then summoned demons to guard the various entrances, buried the dead (including her late lord), and left, never to return. So the first “level” of the dungeon is actually exploring the ruins of the castle and trying to figure out how to get into the Dungeon of the Bear proper.
Which, admittedly, sounds cool, and I wish I’d thought of that when running my original “Castle Strongstone” megadungeon back in the day. But when you then look at how the actual dungeon works… the story doesn’t make sense.
First of all, like I say, there’s no coherence to the monsters in the dungeon, especially on the upper levels. It’s a bunch of random traps and rooms that basically stand in stasis waiting for adventurers to arrive and be sprung. While there are larger and more organized groups of monsters in the lower levels who might go on the type of raid described in the backstory, there’s no way they could get to the dungeon entrance without setting off half the traps themselves!
Seriously, there is only one way to get up to the 1st level from the 2nd level, and it requires going through a room on a pivot that turns 90° when someone enters and releases a pack of hungry lions. (This might lead one to wonder, “How does a pack of lions survive in a 20′ x 30′ room for the hours/days/weeks/years between room pivotings?” The answer seems to be, “It’s just a dungeon, you should really just relax.”) So for the army of orcs down in the lower levels to swarm up into the keep, they have to pass through this damn swivel-room trap in small groups and deal with the lions, then work their way through the various catacombs without setting off any of the traps or getting attacked by vampires and so forth.
The only way it works as a narrative, short of assuming the entire dungeon is some mad god’s fever dream (which, admittedly, could be a good way to approach it), is to assume that the orcs are actually maintaining these traps… feeding the lions just enough to keep them alive, cleaning and oiling all the pivoting wall mechanisms and loaded crossbows hidden behind secret panels, and so on. But even that only just barely makes sense. If orcs only care about murder and plunder, what strange obsession is leading them to create these Rube Goldberg environments in the hopes that some adventurers will finally show up one day rather than, say, digging out another hole and raiding the countryside?
The answer, of course, is that Tunnels & Trolls is Heroic Fantasy by way of Saturday Morning Cartoon and trying to make sense of it is Doing It Wrong. But at the end of the day, this is another aspect of why the old school got old. If you’re going to expect players to use their wits to engage in the world in a way that makes sense, then the world itself has to make sense in return! The dungeon-as-a-boardgame model where each room is the next bit and the map of the location might as well be a flowchart of which puzzle comes next instead of depicting an actual place is fun for a while, but in my case at least leaves me wanting more.
Don’t get me wrong, I loved Tunnels & Trolls when I was 14 and I do think compared to the wild flights of fancy it led to that there is a certain blandness (and lack of story innovation) to much of what’s floating around the RPG scene currently. But somewhere we’ve got to find a happy medium between “throw everything at the wall to see what schticks” and “repackaging TSR’s greatest hits– again.”