I’m starting a fund.

-The Gneech

Halloween is upon us, and to celebrate I’ve elaborated a bit on my impromptu steampunk getup for Dragon*Con, right down to the cliché of the self-modded Nerf gun. ;D I couldn’t bring myself to put goggles on the hat, tho. Everyone at the office party this morning agreed that I had quite a dapper costume, although nobody had the slightest clue what I was supposed to be. A couple of people floated the idea of Sherlock Holmes; one person guessed I was from Firefly, to which I answered, “Close enough!”

In other news, in case you managed to escape without hearing me cheer all over the internet last night, Childproof the Unicorns (Second Edition) is back in print and up for sale! This is my first foray into 100% self-publishing for print, and I must say I’m very pleased with how it came out! On to Attack of the War-Cats and No Predation Allowed!

-The Gneech

As some of you may know, my new comic took a lot of inspiration from the “Steamcycle” pic done by Leo Magna … which he has graciously given me permission to use. In the comic, it will be Fagin’s ride of choice, and features pretty prominently in the first issue, so I figured I’d better figure out how the thing works! So this is what I came up with.

Let me just say … complex design is complex. O.o

Original pic, for those interested.

-The Gneech

“Big Bad” John Dunn, Charlie O’Toole, and Fagin, the interfering troublemakers — ER, adventurous heroes of my new comic! This is a concept rough for the cover of the first issue … it still needs quite a bit of work, but it at least gives you a hint of what’s to come. Characters copyright ©2010 by me.

-The Gneech

Well! I’m home after what has been a … unique … Dragon*Con. You remember all that stuff that happened to Mrs Gneech and me? The pet hotel debacle? The fall on the escalator? There was also a fire at the hotel. What a weekend!

On the other hand, I met some cool new folks, completed my long-worked-on collection of MST3K signatures, got a ton of development work done on the new comic, and took part in a World Record attempt (for largest collection of steampunk costumes in a photo).

As you can probably tell, I spent a lot of time in the steampunk track, where apparently I fit in like the proverbial bug in a rug. Having hitherto not been much involved in the contemporary steampunk scene, I spent most of the time simply going to panels and soaking up what people had to say, but I was pleased to discover that a lot of the people in the fandom have similar opinions to mine in regards to such things as the preponderance of brown, the rather silly nature of goggles on a top hat, and the fact that “steampunk” is kind of a crap term. It was fun to sort of come into it as an outsider (Technomancer’s Toybox and similar things notwithstanding) and still feel like I had something to offer. One of the editors for Kerlak Publishing, when I mentioned that I’d be starting a steampunk(-ish) comic early next year, perked right up and was eager to be in the loop about it.

As for Dragon*Con itself … it’s suffering from growing pains in a major way. The ratio of costumers to non-costumers took a serious nosedive this time around (particularly as many members of the 501st Legion didn’t come this time around, I hear); and there were entirely too many panels that you simply couldn’t get in to see. I’m seriously worried that Dragon*Con will fall prey to the famous Yogi Berra quote, “Nobody goes there any more, it’s too crowded.” If I wanted to go to a con where I couldn’t get into any panels, couldn’t navigate the dealer room for the crowd, and couldn’t see any costumes, I’d go to San Diego Comic-Con. There are also way too many non-geeks (who don’t buy badges and don’t support the con) crashing the party. One commenter I heard referred to it being like “Nerdy Gras” — partiers with nothing better to do are coming to get trashed and get free entertainment by looking at the geeks.

The good news is, people are starting to recognize the problem; what steps can reasonably be taken to deal with it, have yet to be seen. Personally, I think we should start a major advertising campaign talking about what a bunch of totally uncool nerds the people at Dragon*Con are and how unless you’re the kind of person who thinks math and historical romances make an interesting combination, you’ll be bored stiff there.

Anyway! I did have a very good time, down to sitting right among the MST3K cast members in the audience of the “Servo vs. Servo” panel and heckling Kevin Murphy and J. Elvis Weinstein with them. Got a lot of work done, met a lot of cool new people, and generally had a ball, so overall I’d say it was a smashing success.

-The Gneech

Okay, I’m having a bit of a quandary, and I’d like to hear various folks’ opinions on it — but it’s about the potentially-loaded topic of race, so I respectfully ask that people keep their heads about it.

I’m working on the main cast of my new comic; it’s a lighthearted fantasy adventure story following a trio of troublemaking heroes-for-hire. The leader is a suave trickster type, the second is a cute and perky gal who has a propensity to blow things up, and the third is a big and scary-looking strongman who covers up horrible scars with a Phantom-Of-the-Opera-esque hooded mask, who actually has a squooshy nougat center and loves to pet kittens. (Anybody remember the phase-through-walls guy on Buck Rogers In the 25th Century? He’s sorta like that, but more brawny and less brooding.)

The trickster isn’t human at all; in point of fact, he’s a white-and-black-furred fox-morph. The bomber-gal has red hair and freckles. The big scary strongman is an imported character from an earlier project I worked on, in which he was a big ol’ cueball — think “Mr. Clean” meets “Two-Face.” However, when I was importing him into this story, I thought that in an effort to keep the cast from being too monochromatic, I’d make him black instead.

This is where I run into a catch-22 … now instead of an “all-white” cast (if you take a white-furred fox thing as being “white” in the same sense), I’ve potentially got “black man = big, ugly, and scary.” That’s not the intended message by any stretch — this character is a doll and the scariness of his exterior is intended to be a subject of pathos rather than revulsion — but it is something I worry about people taking away from it.

So rather than just bat this one around with my beta readers, I’ve decided to toss this issue out for more general discussion. Am I just overthinking the whole thing? The comic is not about race in any sense, and is not a defining aspect of this character. I don’t want what was basically an aesthetic choice causing anybody grief.

What do you think, folks?

-The Gneech