Posts Tagged ‘the business end’
As things have developed, both public and private, I have decided that my I need to change my priorities in the upcoming months. To that end, I need to put By Elves Abandoned on the back burner and work on other things. Instead of working on those other things and feeling guilty about not hitting wordcount goals for NaNoWriMo, I’ve decided to simply let that go.
The book still has a lot of potential, and I expect to pick it up again before too long, it’s purely a matter of timing. Maybe my own personal NaNoWriMo will come in February, we’ll see!
Suburban Jungle will keep going, and punting on NaNo will hopefully give me time to fix up lingering issues I’m having with the current storyline and the direction the comic is taking generally. Fortunately, that only takes me a couple of days a week and could be done at night or on the weekends as needed. I am also still working on finding a publisher for Sky Pirates of Calypsitania.
How Not to Suck at Overwatch is also going to go quiet for the foreseeable future. It was a fun project and I enjoyed it (and I’m very grateful to the friends and fans who made it possible), but at least for now I have other things I need to concentrate on.
As for what I am working on, that’s not in a stage where I’m ready to tell the world. But when the time comes, I will! But until then, I’ve got commissions to finish and a comic to draw, so I’d better get to work.
First item of news: Issue Five launches on November 14th. I’m still kinda trying to figure out what I’m doing with it, but I’ve also reached the point where if I don’t set a deadline, it’ll languish, and I need to force my mental waveform to collapse (so to speak). I’m also going to be working on NaNoWriMo at the same time, and posting chunks of the NaNo project to my Patreon page for supporters.
Which leads to the topic of Patreon. I think I need to just come out and say it: I am terrible at running a Patreon. I have never been good at the “business hustle” part of being a professional artist, it’s just an alien world to me– and honestly, mental bandwidth I’ve been burning on trying to figure it out has been not just wasted, but siphoned away from the actual process of making the art. In short, I can run the business or make the product, but I can’t do both, and I need to stop trying.
How does that effect my Patreon? Well, my first inclination was to simply delete it entirely. But the strange thing about it is that many of my supporters have said they don’t really care about the “rewards” levels anyway, they just want to support my work. It’s kinda like the old Paypal tip jar, just a little more formalized.
So I’ve decided to leave the Patreon up, but I’m going to remove the reward tiers and make it a simple binary, “yes, you’re a subscriber, or no you aren’t” system. All subscribers will have access to all the Patreon content, which will include immediate comic page postings, draft chapters of books in progress, and so forth. I am also looking at changing it to a “per posting” model, and would be curious to hear any opinions folks have on the topic.
In any case, I’m going to make this change now, between monthly cycles, to give people plenty of time to adjust and/or bail if they wish.
Thanks for your patience! I hope to have some cool stuff for you soon.
On the value of good manners, the agent who passed on Sky Pirates of Calypsitania last week wrote back in response to my thank you note to say, “I think your writing is very strong and I wish you the best in your agent hunt! For me, I just didn’t fall in love with the characters in the way that I’d need in order to be a great advocate.”
This, while it may not sound like much, is actually hugely helpful feedback. When you send out query after query and get the same boilerplate “not a good fit at this time” response, you begin to question every little aspect of what you’re doing. “Is my query letter too amateurish?” “Am I committing enormous grammatical blunders that I just don’t see?” “Is my adventure story about airship pirates really just a string of vapid clichés?” “Are the weird relationships and social outliers in this story too off-putting?” “Am I a hamfisted hack and everyone’s just been too nice to say so?”
This tiny bit of specific feedback makes all that junk go away. Being told by an industry professional that my writing is very strong is a bonus, I won’t lie! But the real value here is knowing that it was a matter of personal taste, rather than a systemic problem with the work. There are plenty of books out there that are great books, but I just don’t get into them. The entire corpus of Ernest Hemingway, just for starters.
What that means, in real terms, is that I have to just keep putting the book in front of agents until I find one for whom the book clicks. Of course, that was my plan anyway, but I feel a lot more secure about it now. Even if this particular agent and I end up never crossing paths again (although there’s no reason we might not), she’s done me a great favor and I’m grateful for it.
It has often been observed that writing is a tough racket. Like, suspiciously so– people have been predicting the death of the written word pretty much as long as there have been written words, but particularly the death of the modern publishing industry as long as there has been a modern publishing industry, despite the fact bookstores tend to be full of people happily shelling out their hard-earned dollars for books even in this post-internet age and that book sales are actually up rather than down. The rates for writers are largely un-moved in decades, and editorial budgets are slashed, but book prices keep going up, so… that money has to be going somewhere.
However, for the time being at least, I am not interested in figuring out that mystery. Publishing for me is largely a giant black box where I put words in one end and, theoretically, money comes out the other. Or at least, that’s how it’s supposed to work.
Granted, I have not submitted that much for publication in the grand scale of things, being largely self-published or having worked mostly with editors who were also friends and colleagues already. But over the course of my writing career, I’ve had far more successes than rejections. In fact, I can only think of three rejections off the top of my head:
- A creature write-up sent to White Wolf for a Werewolf line “monster book” in 1989 or so. This was done hastily, because Bill (the line editor at the time) was in a pinch, and I basically threw together something that belonged in Call of Cthulhu instead. I’m not surprised he didn’t use it– in fact, I would have been more surprised if he had.
- Out In the Cold, my first full-length(ish) novel, sent to an agent c. 1996 in a fit of youthful enthusiasm. This was a cozy mystery, and it didn’t totally suck but it wasn’t great, either. It did at least garner me a very nice handwritten reply praising the narrative voice and depiction of the characters. I eventually decided that mystery writing was probably not where my strengths were and shelved it after that. And finally…
- Sky Pirates of Calypsitania, which as of yesterday has been rejected by one publisher and seven agents, and “soft rejected” by a handful more agents who simply did not respond (“If you do not hear in 4-8 weeks we aren’t interested.”). Of all these, yesterday’s rejection was the hardest.
The reasons why yesterday’s hit me so hard are twofold. First, this agent was specifically seeking steampunk novels– a genre which is notoriously tricky to get people interested in. I was very jazzed to see someone actually wanting steampunk, instead of having a subtext of “Okay, I guess I’ll look at it, but don’t you have any doorstopper fantasy or military SF we could check out instead?”
Second, after the initial query, the agent wrote back to me and asked for a larger sample, which was the first response of any kind on this book beyond a polite form rejection. I knew it wasn’t guaranteed that she would want to move forward after that, but I did think it was quite likely. She wanted steampunk, she liked the first chapter, and her agenting portfolio seemed like just the right fit for this particular book’s eccentricities. Alas, “After a careful reading, I am sorry to say that I don’t believe this project is right for me.” I sent her a thank-you note, and who knows, maybe something else will work later.
But in the meantime, we carry on. I really like this book– even if it weren’t my own it would be one of my favorites– and I honestly think it’s as good as anything out there. I know that steampunk is a long shot, and I know that first-time novelists always have a tough hill to climb. Yes, I’m disappointed, but I’m going to put it away for the weekend and then, come Monday, pull up the next three agents on my list and send it out again.
It is, as has been observed, a tough racket.
Hey, hey! Every once in a random period, I put up a little post welcoming my new readers and keeping everyone abreast of what’s coming up!
Welcome New Readers!
<3 <3 <3
…Not a lot more to say about that, actually. Got questions? Comments? Suggestions? I’d love to hear ’em, in the comments or via e-mail (thegneech at gmail dot com)! I’d also love to know how you came to be here. Suburban Jungle? Are you a Twitter follower? WHOOOO ARRRRRE YOOOOU?
Suburban Jungle Issue Five!
The cover is up! I’m going start drawing pages this week, with my current plan being for the issue to begin running September 5. I’m not going to set that date into stone yet tho, just in case things randomly go pear-shaped, as they have a tendency to do around here.
Sky Pirates of Calypsitania and NaNoWriMo
There is some hopeful activity on the novel front! Alas, I can say no more for fear of jinxing it, but I am excited and hope it works out! In the meantime, I am working on an outline for a sequel novel, under the working title of Eternal Promises, with an eye towards writing the actual manuscript (or at least large chunks of it) over the course of NaNoWriMo. (Which means, among other things, I need to get as much of issue five done as possible by the end of October!) Eternal Promises will finally bring the intended-but-never-produced first story from Arclight Adventures to the light of day, which makes me happy.
Overwatch Play of the Game Badges and Videos
There are only a few badge commissions left, but I do have a complete “Victory Poses Plus Badges” group commission that I will be trying to finish over August and September. (Because let’s face it, I won’t be drawing enough, right? ¬.¬ ) I only have footage for one more Learning Not to Suck at Overwatch video right now, which will probably go up sometime this week, but I imagine that series will be going for a bit longer. I’d love to know what (if anything) people think of it, beyond the obvious “There’s a watermark on the video and your microphone is wonky.” Think of those elements as… uh… charmingly kitschy? I don’t have the budget to fix them at the moment. 😉
My next convention will be Midwest Furfest in December, where you should be able to find me in the Artist Alley most of the time. Due to budget constraints, I am currently trying to find someone to take over my Dragon*Con room; if that doesn’t happen, it’s entirely possible I’ll end up going to that as well, even though I really can’t afford it, on the grounds that the money is committed so I might as well enjoy it.
So that’s the State of the Gneech at the moment. Busy, busy, busy, but creating a lot of stuff that I hope you’ll check out and enjoy. Life is good.
So far my efforts to get Sky Pirates of Calypsitania to market have not met with success. The rejections have ranged to form “not at this time” letters to more personal “not at this time” letters, but the net result is the same, i.e., “not at this time.”
I’ve been pretty carefully targeting my pitches to maximize their chances, but alas I am starting to run out of “top tier” possibilities and I have to consider what to do next. As this is my strongest book to date and what I hope will be the beginning of a personal “franchise” (to coin a marketing term), I don’t want to make any giant newbie mistakes that will come back to bite me later, but at the same time, I do need to start making some headway.
So I am now considering self-publication. It’s not really where I wanted to go with this book– my long-term goal for this one is “See it on the shelves at Barnes & Noble.” However, I also need to actually get books out there being read and making money, which they can’t do just sitting on my hard drive receiving rejection letters.
I think I’ve also started making headway on the next book, although it’s still quite vague in my mind, to wit: another book in the same setting as Sky Pirates. As much as I love Verity and Tanya and I want to know more of their story, they’re only two people in a much wider world, and they’ve earned a rest from adventure for a while, the poor dears. Plus, they’re getting out of the airships business (or at least trying to), but I’m still interested in following that thread. So that means finding someone else to write about!
So while what is probably the last round of agent pitches goes out, I’m going to hit the Scrivener corkboard and start plotting. If any of my writing industry friends have suggestions for getting the current book rolling, however, I’d love to hear them!