Nov 15 2017

Laconipedantism

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About 2/3 of the way through the opening sequence of Heathcliff/Cats and Company, Riff-Raff and Cleo randomly go zooming off in a bathtub.

It’s not a bathtub on wheels, there are no rockets or other means of propulsion. It’s just a friggin’ bathtub.

I mean, the cats living in a random James Bond-esque transforming Cadillac in a junkyard, didn’t bother me. But flying off in a random hover-bathtub? That bothered me.

Last night, I had a random dream in which I was watching a “behind the scenes” video about this series. I don’t know if this dream was based on a long-lost memory, or if it was my brain making stuff up, but it doesn’t really matter. In the dream, somebody my brain identified as one of the show-runners coined the term “laconipedantism.” “What that means,” he said, “is that our policy was to explain as little as possible, or with as few words as possible, or to just not explain things at all. ‘How does it work?’ We’re not going to tell you! What you see is what you get, deal with it.”

That struck me as a gutsy approach. I don’t know if I would always consider it a good approach, but it was a gutsy one. But as I started to think about it, I realized that lots of storytellers work this way. Sometimes, you even get Lampshaded Laconipedantism.

Even Kronk thinks it doesn't make sense!

Lampshaded Laconipedantism, or “We’re not gonna tell you! Neener-neener-neener!”

Obviously, cartoons have the most leeway for this kind of thing. Contemporary shows like The Amazing World of Gumball work entirely on this premise. But heck, the Marvel Cinematic Universe runs on this fuel, as does most fantasy literature. Star Trek and a lot of science fiction does a weird inverse, where it starts with “teleportation exists” and starts playing around with the ramifications of that, but it still can’t tell you how teleportation really works, just that it does.

Not every wild premise actually qualifies as laconipedantism, however. What makes it laconipedantism is the refusal of the artist to explain, address, or even acknowledge that there’s anything weird about it. Riff-Raff and Cleo go zooming off in a bathtub, man. Get over it. Done well, it creates a feeling of confidence in the work, even when it leads to headscratchy moments. Done poorly, it just becomes an incoherent mess, where the world makes no sense and the story falls apart.

Use with caution.

-The Gneech

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